Streaming Star Trek Discovery

A new Star Trek TV show is an exciting event that only comes around every few years, and you never know when it will be the final Star Trek series.  People will get tired of this, yes?  Enterprise ended after only four seasons, and that seemed to be the death kneel for any future Star Trek show.  But then came the rebooted movies and now, yet another attempt at bringing Star Trek to television.

Sort of.           

Although Star Trek Discovery had its premiere on CBS, the series is being shown exclusively (at least in the US) on the CBS All Access streaming service. As a long time Star Trek fan, I figured the show would have to be an incredible crap fest for me not to sign up for the service.  Although all networks stream their show content online, CBS seems to be unique in thinking it can compete with Hulu and Netflix by creating original content for their service.  It’s already given that a test run with the show, The Good Fight, a spinoff of their long time popular show The Good Wife.

As a strategy, it may not be a bad one.  CBS owns a lot of valuable properties and paying to produce original content, such as a spinoff of a popular network show, or a show with a dedicated fan base, might be a winning option.  Unlike network shows, streaming services have exact data on sign ups and who’s watching, so if a strategy is working, they will know immediately, and in that vein, CBS News reported that it broke the one day record for new sign ups after the Discovery premiere.

So yes, I signed right up.

Let me say this about the CBS All Access streaming service; I find it incredible that a streaming service that intends to complete with Hulu and Netflix does not have an app for Smart TV’s.  That is serious malpractice right there.  Yes, it does have apps for Windows and Apple products, as well as Roku and Xbox, but no Smart TV app?  So a show with a multimillion dollar per episode budget with movie quality special effects can’t be shown on your average Smart TV?

Come on!

That inconvenience aside, another issue with the CBS Streaming Access is that there just isn’t much else there I would want to watch.  I mean, it’s all CBS re-runs other than The Good Fight and Discovery of course.  However CBS did seem to recognize that and added a post-show gabfest for Discovery called After Trek. A post episode discussion show isn’t a bad idea if done right.  AMC’s companion show to the Walking Dead, Talking Dead, is a perfect example of how to do it right.  In the small universe of after show fan service, Talking Dead’s Chris Hardwick is the perfect post show host.  He knows how to keep the conversation flowing, and is knowledgeable and enthusiastic about the source material.  Most importantly, he knows how to guide his show guests into talking about their characters, rather than themselves.  Not an easy job for Hollywood actors.  On the other end of the spectrum, HBO’s After the Thrones was a train wreck.  Apparently hosting skills for these particular types of shows are not common.

Watching the first episode of After Trek, I would definitely give it high marks in comparison to the previously mentioned After the Thrones. The show is not in Talking Dead territory, but host Matt Mira is surprisingly good.   He has some work ahead of him though in order to pull some character backstory from the actors.  When asking actor James Frain, who plays Sarek, about some of Sarek’s motivations, Frain replied that he just says the lines.  I can’t decide if that’s a terrible answer or a great one, but I’m leaning towards great.

As for the show itself (and warning, there be spoilers), there is no doubt the title should have been Star Trek Woke: The Current Year.  Prior to the premiere, there were reports that the producers were recasting the Klingons as MAGA supporters, Make Q’onoS* Great Again and all that.  Well I can report that is the case. Much of the first two episodes have a great deal of Klingon scenes (in Klingon of course) in which the political situation in the empire is one of disarray, and much is made of the mongrelization of the Federation, with all the different Federation races blending in multicultural diversity; something that’s anathema to these red State Klingons.  Luckily, the Discovery cast is there to take a knee to racist Klingons.

Of course this is hardly the first TV show that the Trump election has caused breakdowns in the writer’s rooms.  Homeland, the Showtime spy series had such a breakdown in which they threw out the outline for their last season half way through and it ended in an incoherent mess.  CBS summer replacement show Salvation had a coup d’etat against a female President requiring a counter coup to get rid of that man and put a woman back in charge, all which had nothing to do with a show about an asteroid coming to destroy earth.

As for the plot of the pilot, as one online commenter put it, “Sassy black girl teaches the Federation how to deal with warlike Klingons, gets sent to prison.”

That’s basically it for the two part show opener.  For that, just a few observations:

There is a lot of go grrrl nonsense in this show. In one scene the Captain and First Officer, both female, beam onto a Klingon ship and win a hand to hand tussle (at least initially) with a couple of Klingons. I know this is science fiction but come on!  Of course after several decades of watching 90 pound waifs’ karate chop 250 pound trained male fighters on television, the scene doesn’t look quite as ridiculous as it actually was.  I guess we’re all conditioned to accept that tiny women not only can defeat large men in hand to hand combat, but in almost all circumstances they most certainly will.

In the build up to the show the look of the Klingons is so different from any earlier look of that species that the producers had to explain that Klingons were a very diverse race and there were many types of Klingons depending on which “house” the Klingon belonged to. So in a scene that showed the heads of all the Klingon houses, they all looked the same, the new version. Why not just do a different alien species if you want a new look? Not sure I get that. It definitely breaks canon though.

As far as the characters go, the only really likeable one seems to be Lt. Commander Saru, a weird looking alien ( he’s a “Kelpien”) who manages to do more to inject a little humanity into the show than any of the other characters, including titular star of the show Commander Michael Burnham, played by Walking Dead alum Sonequa Martin-Green. That being said, the unique backstory of the character; orphaned human girl raised by Sarek on Vulcan and graduate of the Vulcan Science Academy, lends itself to being played as a little less human.  In that regard, Martin-Green does have the acting chops to carry the lead for a show like this.  A flashback to the first time she meets her captain on the USS Shenzhou, introduced by Sarek, gives every appearance of a human trying hard to be Vulcan, contrasted to present day when she has a much more relaxed and “human” demeanor, but still with traces of a Vulcan upbringing. So if anything, the show does have a strong lead.

But that’s just my impressions from the first two hours of the show which really isn’t even a proper pilot; it’s more like a prequel to the set up.  The ship Discovery doesn’t even make an appearance.  So the third episode is more the actual pilot, and from viewing that, my impressions are that the episode ought to have been called, “Starfleet is the New Black.”  Prisoner Burnham is the most famous mutineer in Starfleet and responsible for starting the current Klingon war. When her prison shuttle is accidently waylaid to the USS Discovery, she’s drafted into the crew. Or was it an accident?  This was an episode that I actually got into and enjoyed both as a bit of escapist adventure TV and a bit of horror TV as well.

So we’ll see how it goes. As a long time Star Trek fan, I want to see what they do with this and having seen the third episode, feel a bit more hopeful this show will actually be entertaining. Knowing that Discovery will have a Harry Mudd episode and a Mirror Universe episode, the show has the potential to either knock it out of the park or flop. I guess I’ll know by the time we get to the Mirror Universe episode. If they screw that up…

 

*The Klingon home world for all you non nerds

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Elementary Is Holmes

When I reviewed BBC’s Sherlock last year, I noted that CBS was planning its own rip-off version of the Sherlock Holmes character, seemingly to ride on the success of the BBC version.  After watching the first season of Elementary, which concluded with a two hour season finale last week, I’m glad I waited to do a review of the show, since my conclusions now are vastly different from the ones that I would have drawn when the show was just a few episodes into its freshman season.

The set up of the show is that Sherlock Holmes lives in New York City (yes he’s still British), while recovering from a stint in rehab after crashing from a serious heroin addiction problem.  Dr Joan Watson is hired by Holmes’s off screen aloof and distant father to be his sober companion, to assist in Holmes’s recovery.  As part of her job she moves in with Holmes and follows him around to make sure he doesn’t relapse.  From that starting point, Holmes resumes his relationship with the NYPD as “consulting detective;” similar to the position he held in London with Scotland Yard.

After watching the first couple of episodes, my feelings toward the show was that it was a well crafted TV show, well done in the sense that CBS has long experience with putting together solid television programming, with solid leads in the roles, but that it wasn’t Sherlock Holmes.  Although the Holmes stories are the template of the eccentric detective and side kick, which have proliferated on television since the beginning of the TV era, those shows were not Sherlock Holmes stories.  Psych is a good solid show with witty wordplay and a humorous bent about an eccentric genius detective and his down to earth side kick that helps keep him grounded.  Monk was a good solid show with light fun stories about an eccentric detective and a down to earth side kick… well, you get the idea.  It’s a common TV template that’s been replicated over and over for years; with various degrees of success.

That was my initial conclusion.  Elementary was a good solid show, but there was no need for the characters to be named Holmes and Watson.  They could have any names and it wouldn’t have mattered to the show.

Until it mattered.

The last half of the season very slowly began to explore the reasons for Holmes’s spiraling drug abuse, the murder of his one true love, Irene Adler, and Holmes inability to solve her murder.  In the episode, “M” Holmes confronts murders done in almost identical matter to the one that killed Irene Adler and revealing whom may be ultimately responsible, Moriarty.  From this point, the shows seem a bit less stand alone adventures and more interlinked stories that eventually form a story arc leading to a fantastic and fulfilling season finale.  All of the pieces finally fit.

So that’s why I’m glad I waited to review the show.  It turned out to be much more than I initially thought, and even if CBS is trying to ride the coattails of Sherlock, since it leads to a quality show that deserves to be Holmes in its own right, who cares?

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Why is ¡Rob! still on the air?

When I first saw the CBS promos for their new series Rob, my immediate reaction was, “terrible…terrible…”  It looked so bad that I felt I could already predict its future.  Like last season’s ill-fated The Paul Reiser Show I figured the future was two episodes and an apology.  But Reiser’s show (according to the few who watched it) was merely boring and unfunny.  This show looked like a crap sandwich.

So I decided to test it. I decided to watch the first episode.  I figured that if I didn’t see that one, the odds were slim that I would get to watch another.

So I sat down to watch and my suspicions were confirmed, Rob Schneider plays ¡Rob!  An obsessive compulsive in his late 40’s who manages to woo and marry Maggie, an extremely hot model quality chick in her 20’s in just a few short weeks.  Do ruffies last that long?  Forgetting the rest of the show premise for a second, but I just could not buy into this.  And it’s nothing against Rob Schneider.  I don’t have any animus against him.  He’s acted and starred in many successful movies and isn’t an ugly man, but I just wouldn’t believe that someone who looks like him…

…could meet and marry someone who looks like her.

Sorry, I cannot, CAN NOT suspend my disbelief over this.

Television sitcommery has a long history of pairing fat or regular looking guys with super hot wives.  I mean, did anyone really believe these two could be married in real life?

But this is very much a bridge too far.

Now on to the premise.  Maggie’s family is Mexican and the entire hook of the show is Rob’s culture clash with his Mexican in-laws.  Only the most base, narrow, stereotypes are permitted.  Tacos, illegal immigration, guacamole; if it’s simple and stupid, its part of the show.  This show makes Chico and the Man sophisticated.  Come to think of it, Chico and the Man was sophisticated, at least in comparison with its 21st Century equivalent.

I actually had to force myself to finish the pilot episode of the show.  There was some snow on a non broadcasting channel that was mighty tempting, but I had made a commitment to see how bad this show is, and it’s bad.  But I figured that it would be cancelled soon, everyone involved would be fired, and it would be years before Rob Schneider would be able to get back on series television again.

But weeks went by, and I noticed that CBS was still showing promos for ¡Rob!  It’s not cancelled yet?  So I tuned in again and sure enough, the show is still on.  A quick Google search revealed why.  The ratings for this show are holding up.

I’ll be shocked if this show gets a second season, but I’ve been wrong before (“They’ll never cancel Firefly!”)  Then again, maybe, just maybe, the show will evolve into a watchable show.

And then be cancelled.

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