The Trumpification of Homeland

Homeland is not the only show that’s been thrown for a loop (still!) by the 2016 elections.  I’ve mentioned a few others previously, and this television season, even Mayor Oliver Queen from Arrow is being impeached.  It’s an epidemic I tell ya…

But the King and Queen of all Trump-tastrophes is Showtime’s Homeland.  Its two season #resist has finally, mercifully, ended.  It’s a sad detour for what had been one of the better quality shows on television, or at least premium cable.  For those not familiar with the show, it’s a national security thriller starring Claire Danes as Carrie Mathison, a crack CIA analyst who is (was) secretly bipolar.  Her mentor Saul Berenson (Mandy Patinkin) treats her like a daughter, and constantly puts his career at risk for Carrie’s crazy analytical hunches, which often enough, turn out to be dead right.  After several seasons of fighting Islamic terror, Iranian terror, finally, show goes after the greatest threat of all, Carrie takes on the Trumpian patriarchy.

To summarize last year’s season 6 quickly (spoilers!), Carrie is out of the CIA and is working for an NGO in New York.  This takes place after the US presidential election in which the woman candidate, Elizabeth Keane, defeats whoever the old white male was.  Keane is all for downsizing the US presence in the Middle East; a position she is guided to by Carrie, who is secretly an advisor to the transition team.  But the evil neocon patriarchy isn’t done yet, and launches a false flag terrorist bombing in NYC, with one of Carrie’s Muslim clients as the patsy.

This was around episode 5 or 6 when the producer’s world collapsed, Donald Trump won the election.

“At one point each season, we are writing scripts contemporaneously with real events happening. That occurred this season around episode five or six when the election happened, and we realized that we were gonna have to change the narrative a little bit. The first thing we wanted to address was this idea that our election was influenced by another force; by fake news, which struck us as a very right topic to construct a story around. Sock puppets were actually already part of the story, then we introduced O’Keefe in episode five instead of eight, which we’d planned originally.”

So enter an Alex Jones like figure, Brett O’Keefe, who is involved with the sinister deep state forces trying to keep a sister down, and engages in a social media war against President-elect Keane, using fake twitter accounts and doctored video.

It’s pretty clear at this point where the producers originally intended to go and where they made changes.  The deep state and its social media fake news allies go after Keane, and eventually decide to launch an assassination attempt, which is thwarted, and Keane takes the oath of office and becomes President.  At this point, Keane morphs into Donald Trump, reeking with authoritarian paranoia, begins mass arrests of national security, defense, and intelligence officials (including Saul).  Carrie is shut out from the White House and democracy dies in darkness…

My wife and I couldn’t believe what an abortion season 6 had turned into. The Homeland writers’ room actually took their post-election breakdown and wrecked their TV show with it.

To me, it was so bad that I thought the only logical recourse was to have Carrie step out of the shower with the entire season having been just a dream, and then back overseas for some international intrigue.  No such luck.  Instead we got season 7, the pussyhat season.  I knew it was going to be bad when the opening credits showed rebel flag waving rednecks and Klansmen in full KKK regalia.  Did that have anything to do with season 7?  Nope, but the show did shine a spotlight on its greatest fear, flyover country rural whites, armed and angry.  Were rural whites the big bad for the season?  Close but no cigar, and it’s not even a spoiler to tell you who the real big bad of the season is:

THE RUSSIANS!

If you couldn’t have figured that out before the season even started, you haven’t been paying attention.

In the rush to un-Trump President Keane, the show decides to put all the previous deep state blame on one General, who is sentenced to prison and promptly assassinated.  Whoa, what luck!  So Keane releases the 200 plus conspirators and maybe conspirators, including Saul, and makes him National Security Advisor.  So the deep state enemies are now the good guys, and the bad President is now good again.

So after a season fighting poor whites, the Russians, and a Congressional plot to 25th Amendment President Keane out of office, Keane ends up resigning anyway because half the country already thinks she’s a liar.  I suppose this was to be the writer’s suggestion for Trump: Resign now.

Oh and Carrie is crazy again.

I’ve no doubt Showtime, the producers, writers and actors are all very smug about how they’ve wrecked their show, but it seems a sad end even though the show is getting another season.  Alas poor Homeland, Hollywood wrecked you…

 

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Politics is downstream from Roseanne

When I sat down last night to give the new Roseanne revival a try, I had no idea that plenty of other Americans were sitting down as well, a lot more, 18.1 million according to the ratings.  That’s not nutin’.

It was actually much as I remembered the old Roseanne; wise cracks and working class angst. Twenty years later, nobody’s life is really great.  Becky’s husband has died and she is resorting to desperate measures to make ends meet, Darlene has moved back home having lost her job, and DJ is back from the military, after serving in Syria.  But satisfying nostalgia isn’t what got me curious enough to tune in, it was this:

Roseanne is a Trump supporter.

At first glance, that seems a big leap from the character during the original run of the show.  She definitely pulled left during the original run of the show, as did  Roseanne Barr herself, but times change, and some of the same factors that would lead Roseanne Conner to pull the lever for Trump led leftist Roseanne Barr, who previously had run for the Presidential nomination of the Green Party in 2012, to support Trump in 2016.

In a way, that’s not that inconceivable a change.  Tens of thousands of Obama voters in Michigan, Wisconsin, and Pennsylvania went for Trump in 2016 during an election year in which Trump was the only candidate speaking to their concerns.

Television is a vast wasteland as far as the right is concerned, with virtually every network and every show on those networks as left leaning avatars for the Democratic Party.  Not always overtly, but the liberal worldview is the subtext behind virtually everything in pop culture.  In almost any other show, a Trump supporter would be a walk on villain; racist, sexist, and homophobic. We have not seen a sympathetic portrayal of a Trump supporter since ABC cancelled Last Man Standing last year.  I assume that the show, even with solid ratings, was a smug slap in the face to ABC executives so soon after the election.  But there’s been time to heal so it looks like TV is willing to give a character who’s politics are not to the left of Murphy Brown (another show being revived) another try.

Andrew Breitbart, the late conservative publisher was fond of saying that “politics is downstream from culture,” meaning that if political bias is imbedded in popular culture, than most of the political battle has already been won since those are the premises that everyone already accepts without thinking.  On TV, everyone knows that corporations are evil, and activists are good.  It’s as much a part of the scenery as a brownstone on Land & Order: SVU.

So it’s nice that there will be a Trump supporter shown on TV without devil horns.  And don’t get me started on how the devil gets a more sympathetic portrayal on TV than conservatives…

 

 

My Netflix Review: End of the F***ing World

Sometimes I get a show recommendation that goes wrong, and I should have guessed something from the recommendation when part of it includes, “the episodes are real short so you’ll finish quickly.”  Well true enough, so I decided to give it a try.  I’ll give you my overall summary of the show quickly: Interesting but not entertaining, until it’s not interesting.                                      

This show had a lot of potential I think, which may explain the totally out of proportion buzz for the show.  The British show revolves around teenagers James and Alyssa, two outcast loner types who find each other.  James is a psychopath who faced a major trauma in his childhood and acts out by burning his hand and killing small animals.  He self-diagnosis’s himself as a psychopath, and with that history, who’s to say no?  Alyssa is a rebel who hates being told what to do and just…well everything.

These two form a relationship and decide to run away from home, for totally different reasons. James wants to graduate from small animals to humans, specifically Alyssa.  Alyssa meanwhile regards James as her boyfriend, although an extremely passive one. This actually sounds like a pretty good premise but the rest of the review has spoilers as I breakdown what goes wrong.

James and Alyssa break into a house with an absent owner and live it up for a while until James discovers some pictures and video of the owner torturing women. Then of course the owner returns.  James hides and the owner spying Alyssa asleep in his bed, proceeds to get rapey.  This actually provides James his long awaited opportunity to kill someone, and to protect Alyssa, he stabs the homeowner.

Naturally, everything goes wrong from this point.  They try to clean up the crime scene while processing the trauma of the murder, which is framed as a defensive act to save Alyssa.  Suddenly the running away from home bit goes from being a lark to a life changing event.  And then what happens?  James deals with the fact that he’s a killer and we, and he, slowly realize that the kid really isn’t the psychopath he thought he was.  So if James isn’t a psychopath but he had a history of killing small animals and was plotting to kill Alyssa on multiple occasions, then he’s just evil.

For me, that sucked the interest out of the show. The kids go on the run being chased by two lesbian police detectives, a totally irrelevant plot point that goes nowhere and does nothing except to point to their current year bonafides.   I think we’re supposed to still sympathize with the kids because the killing was kind of in self-defense and the victim was a terrible person, but I don’t know how self-defense plays in the UK.  In Texas, James would probably get a medal from the local PD for taking someone out who “needs killing.”  But this isn’t Texas, so the police are hot on their trail.

Eventually, after much nonsense, the kids hide out with Alyssa’s estranged father, apparently the Brit version of a redneck.  So naturally he gives up the kids to the police for the reward money, leading to an extremely absurd and trite cliff hanger.

I don’t know why this show has garnered such positive buzz.  Is it the lesbian detectives, or is it because the kids are outsiders?  As if that’s never been done before!  Otherwise I feel the show went downhill from the moment we realize that James, as troubled as he is, isn’t a psychopath.  The fact that he discovers that he really cares for Alyssa when he wanted to kill her mere days before doesn’t ring true.  So this show, as edgy as it’s supposed to be, is edgy in a totally unrealistic way.  But I made a good effort and stuck with it till the end so I won’t feel bad about not sticking around for season 2 to find out how the “cliff hanger” is resolved.

Streaming Star Trek Discovery

A new Star Trek TV show is an exciting event that only comes around every few years, and you never know when it will be the final Star Trek series.  People will get tired of this, yes?  Enterprise ended after only four seasons, and that seemed to be the death kneel for any future Star Trek show.  But then came the rebooted movies and now, yet another attempt at bringing Star Trek to television.

Sort of.           

Although Star Trek Discovery had its premiere on CBS, the series is being shown exclusively (at least in the US) on the CBS All Access streaming service. As a long time Star Trek fan, I figured the show would have to be an incredible crap fest for me not to sign up for the service.  Although all networks stream their show content online, CBS seems to be unique in thinking it can compete with Hulu and Netflix by creating original content for their service.  It’s already given that a test run with the show, The Good Fight, a spinoff of their long time popular show The Good Wife.

As a strategy, it may not be a bad one.  CBS owns a lot of valuable properties and paying to produce original content, such as a spinoff of a popular network show, or a show with a dedicated fan base, might be a winning option.  Unlike network shows, streaming services have exact data on sign ups and who’s watching, so if a strategy is working, they will know immediately, and in that vein, CBS News reported that it broke the one day record for new sign ups after the Discovery premiere.

So yes, I signed right up.

Let me say this about the CBS All Access streaming service; I find it incredible that a streaming service that intends to complete with Hulu and Netflix does not have an app for Smart TV’s.  That is serious malpractice right there.  Yes, it does have apps for Windows and Apple products, as well as Roku and Xbox, but no Smart TV app?  So a show with a multimillion dollar per episode budget with movie quality special effects can’t be shown on your average Smart TV?

Come on!

That inconvenience aside, another issue with the CBS Streaming Access is that there just isn’t much else there I would want to watch.  I mean, it’s all CBS re-runs other than The Good Fight and Discovery of course.  However CBS did seem to recognize that and added a post-show gabfest for Discovery called After Trek. A post episode discussion show isn’t a bad idea if done right.  AMC’s companion show to the Walking Dead, Talking Dead, is a perfect example of how to do it right.  In the small universe of after show fan service, Talking Dead’s Chris Hardwick is the perfect post show host.  He knows how to keep the conversation flowing, and is knowledgeable and enthusiastic about the source material.  Most importantly, he knows how to guide his show guests into talking about their characters, rather than themselves.  Not an easy job for Hollywood actors.  On the other end of the spectrum, HBO’s After the Thrones was a train wreck.  Apparently hosting skills for these particular types of shows are not common.

Watching the first episode of After Trek, I would definitely give it high marks in comparison to the previously mentioned After the Thrones. The show is not in Talking Dead territory, but host Matt Mira is surprisingly good.   He has some work ahead of him though in order to pull some character backstory from the actors.  When asking actor James Frain, who plays Sarek, about some of Sarek’s motivations, Frain replied that he just says the lines.  I can’t decide if that’s a terrible answer or a great one, but I’m leaning towards great.

As for the show itself (and warning, there be spoilers), there is no doubt the title should have been Star Trek Woke: The Current Year.  Prior to the premiere, there were reports that the producers were recasting the Klingons as MAGA supporters, Make Q’onoS* Great Again and all that.  Well I can report that is the case. Much of the first two episodes have a great deal of Klingon scenes (in Klingon of course) in which the political situation in the empire is one of disarray, and much is made of the mongrelization of the Federation, with all the different Federation races blending in multicultural diversity; something that’s anathema to these red State Klingons.  Luckily, the Discovery cast is there to take a knee to racist Klingons.

Of course this is hardly the first TV show that the Trump election has caused breakdowns in the writer’s rooms.  Homeland, the Showtime spy series had such a breakdown in which they threw out the outline for their last season half way through and it ended in an incoherent mess.  CBS summer replacement show Salvation had a coup d’etat against a female President requiring a counter coup to get rid of that man and put a woman back in charge, all which had nothing to do with a show about an asteroid coming to destroy earth.

As for the plot of the pilot, as one online commenter put it, “Sassy black girl teaches the Federation how to deal with warlike Klingons, gets sent to prison.”

That’s basically it for the two part show opener.  For that, just a few observations:

There is a lot of go grrrl nonsense in this show. In one scene the Captain and First Officer, both female, beam onto a Klingon ship and win a hand to hand tussle (at least initially) with a couple of Klingons. I know this is science fiction but come on!  Of course after several decades of watching 90 pound waifs’ karate chop 250 pound trained male fighters on television, the scene doesn’t look quite as ridiculous as it actually was.  I guess we’re all conditioned to accept that tiny women not only can defeat large men in hand to hand combat, but in almost all circumstances they most certainly will.

In the build up to the show the look of the Klingons is so different from any earlier look of that species that the producers had to explain that Klingons were a very diverse race and there were many types of Klingons depending on which “house” the Klingon belonged to. So in a scene that showed the heads of all the Klingon houses, they all looked the same, the new version. Why not just do a different alien species if you want a new look? Not sure I get that. It definitely breaks canon though.

As far as the characters go, the only really likeable one seems to be Lt. Commander Saru, a weird looking alien ( he’s a “Kelpien”) who manages to do more to inject a little humanity into the show than any of the other characters, including titular star of the show Commander Michael Burnham, played by Walking Dead alum Sonequa Martin-Green. That being said, the unique backstory of the character; orphaned human girl raised by Sarek on Vulcan and graduate of the Vulcan Science Academy, lends itself to being played as a little less human.  In that regard, Martin-Green does have the acting chops to carry the lead for a show like this.  A flashback to the first time she meets her captain on the USS Shenzhou, introduced by Sarek, gives every appearance of a human trying hard to be Vulcan, contrasted to present day when she has a much more relaxed and “human” demeanor, but still with traces of a Vulcan upbringing. So if anything, the show does have a strong lead.

But that’s just my impressions from the first two hours of the show which really isn’t even a proper pilot; it’s more like a prequel to the set up.  The ship Discovery doesn’t even make an appearance.  So the third episode is more the actual pilot, and from viewing that, my impressions are that the episode ought to have been called, “Starfleet is the New Black.”  Prisoner Burnham is the most famous mutineer in Starfleet and responsible for starting the current Klingon war. When her prison shuttle is accidently waylaid to the USS Discovery, she’s drafted into the crew. Or was it an accident?  This was an episode that I actually got into and enjoyed both as a bit of escapist adventure TV and a bit of horror TV as well.

So we’ll see how it goes. As a long time Star Trek fan, I want to see what they do with this and having seen the third episode, feel a bit more hopeful this show will actually be entertaining. Knowing that Discovery will have a Harry Mudd episode and a Mirror Universe episode, the show has the potential to either knock it out of the park or flop. I guess I’ll know by the time we get to the Mirror Universe episode. If they screw that up…

 

*The Klingon home world for all you non nerds

With 12 Monkeys, Cable tries to Binge

When Netflix started to do original programming and released the entire season at once, I thought, “What an original idea!  But how are you going to keep up the excitement of a show if you release it one shot and you’re done?”  Although it does limit the time frame of “buzz” it turned out to be a successful business model.  People can move at their own pace, which could be anywhere from watching the show on the traditional once a week schedule to all at once, bleary eyes and lost weekend included.

But I was surprised when the Syfy Channel decided to do the same thing for returning show 12 Monkeys. Airing season three over three nights, the network is trying something different.

It’s an odd choice for a cable network.  They have airtime to fill, so why blow an expensive season of an original show over a weekend?  And before you say it, no; this is not like showing successive Twilight Zone episodes over New Years. That’s simply to fill airtime during a period when viewing will be exceptionally low.  But dropping an original show is a streaming service move, which Syfy definitely is not.  So what’s up?

Well after watching Friday night’s initial 4 episode blast, I have to say I agree with both the TV Guide and TV Line reviews: This show was meant to be watched in a binge format.  Having watched Season’s 1 & 2 in the traditional once a week format, you often forget where you left off.  After all, this show is complicated.  Each episode takes place in more than one time period, sometimes with the same characters at different points in their lives. Sometimes, death comes first, as for the character of Dr. Cassandra Railly (Amanda Schull), who’s skeleton was discovered in the very first episode way back in season one.  Sometimes it’s in the middle, like for former asylum patient Jennifer Goines (Emily Hampshire), who’s death was shown last season.  Not to worry though Jennifer fans, her younger self is featured pretty prominently this season.

And a good thing too.  The character steals every single scene she’s in, adding humor in otherwise grim situations without detracting from the grimness of the situations because…well she’s crazy.  So far my favorite episode of the season is episode 2, which is a Jennifer-centric episode.  Jennifer trapped in the past tries to figure out ways to catch the attention of the future so she can be rescued.  It’s entertaining and still moves the plot along.  So more Jennifer.

 

One character that I like, but has been degraded somewhat is Deacon (Todd Stashwick), the formerly ruthless leader of a violent gang in the future.  In earlier seasons, Deacon made a great foil as a villain more interested in looting the time travel facility than saving the human race. Unfortunately, the violent, evil, but witty bad guy has been tamed somewhat by his attraction to Dr. Railly. It’s not the first time on TV and movies an alpha male bad guy has been tamed by love, but it isn’t very realistic.  Hopefully Deacon gets his evil mojo back.

So maybe binge watching cable isn’t a bad idea after all.  Particularly if it encourages the production of more complicated dramas that may be digested better in very large bites, rather than doled out bit by bit on a weekly basis.

 

Syfy Trying Science Fiction this Year

After years of trying everything but science fiction, from nerd reality shows, to Wrestling, it looks like the Syfy channel is coming home.

We’ve missed you.

ascensionWe started to see a few science fiction toes dip in the water with last December’s miniseries event, Ascension,   The 6 hour show, played over three nights, is the story of a secret nuclear powered generational starship, launched in 1963, on its way to Alpha Centauri.  The story is set in the present day as the ship reaches the half way point; there are factions on the ship that want to turn the ship around to head to earth.  Meanwhile on Earth the son of the founder of the Ascension program is doing his best to maintain the earth end of the program and keep it a secret.  There is a very big spoiler involved in all of this which I found absolutely delicious, and definitely defies your conceptions of what this show really is, however it’s nice to see an adult drama in a science fiction setting.  We’ve not really had a space opera like that since Battlestar Galactica.  In fact, that’s probably how the show was pitched; Mad Men meets Battlestar Galactica.  There is definitely a cultural stuck in amber effect since the crew left earth in the early 1960’s, without the benefit of women’s lib or the civil rights movement.  However the ship culture has evolved in interesting ways, and featured some political maneuvering that tops House of Cards in plausible political chess play.  Unfortunately this show wasn’t picked up, but even so, I recommend watching the miniseries when it’s available on DVD or for In Demand and streaming.

And January was the season two premiere of Helix.  This is another show that isn’t exactly what I thought it would be.  BeforeHelix season one, just based on watching the promos and trailers I would have guessed Zombies meet Andromeda Strain.  However after watching the entirety of Season one, I can’t come up with a simple description of the premise, so I really don’t know how it was pitched to the networks.  Maybe they actually did pitch it as Zombies meet Andromeda Strain and then decided to do their own thing. In any case, it worked, and season two seemed to start off as almost an entirely new show, with the same characters but facing some entirely new challenges.  I guess I’m excited about this show because I can’t guess what they’re doing.  It’s nice to be surprised with good writing without resorting to the multitude of common TV tropes.

The TV adaptation of 12 Monkeys also premiered in January.  This time travel episodic TV series is based on the movie, but diverges quite a bit in order to make episodic TV work.  The basic plot is that in the plague decimated year of 2043, a small group of scientists are trying to send someone back in time to stop the virus from killing off 7 billion people in the first place.  12 MonkeysThe show takes it’s time travel seriously and takes its characters seriously.  We don’t know much about the villains yet, but the heroes are flawed and have done some terrible things to save the world, and sometimes, their motives reveal much more personal motives than world saving.  It’s a great show and apparently enough people agree with me so that it’s already been renewed for another season.

 

And there seems to be even more, hard SF in store this year for Syfy.  2015 (sometime this year) should see the introduction of The Expanse, a space opera set within a future colonized solar system in which people living in the asteroid belt are oppressed by Earth and our heroes stumble across some sort of conspiracy.  The show sounded suspiciously like the Space Pirate idea that my son and I came up with last year over pizza.  I was almost on the phone with my attorneys, Dewey, Cheatum, & Howe, when I read that the Expanse is based on a book series by James S. A. Corey.  You may have gotten away with it this time Syfy…

Also in 2015 (again, sometime this year) two more space opera type shows are being produced for Syfy, Dark Matter is about a spaceship crew that come out of suspended animation with no memories of who they are and what they are doing there.  There is a lot of room for mystery there.  Also coming up is Killjoys about, who else, interplanetary bounty hunters. So take that Boba Fett.  That’s a lot of real science fiction on air.  So its good news, but I also hope it’s good science fiction.

 

 

Quickie Fall Reviews: Sleepy Hollow

sleepy hollow

Last Monday night was the season two premiere of Sleepy Hollow.  Considering where the show left off at the end of Season one, Ichabod Crane was trapped in a coffin, put there by his son, revealed as the Horseman of War and  his wife Katrina retrieved from Purgatory, was kidnapped by the Headless Horseman (True love don’t ya know).  Meanwhile Abbie Mills was stranded in Purgatory.  All in all, a lot of dangling plots.  So I was really annoyed that the first ten minutes of the show picked up as if a year had gone by.  Sometimes these shows are too clever by half.

And although I’ve enjoyed the show it’s annoyed me almost as much.  It’s sort of a supernatural Castle, which isn’t a bad thing. However regardless of whether it’s good or not  I’m stuck with it since this is one of those shows that my wife and I watch together, so there is no easy way to bail out of watching.  So since I’m in for the long haul, let me get a few things off my chest:

First, I don’t like how densely packed the mythology is.  There is a lot of worldview that you are given to swallow, and I’m not sure it all makes sense when you are combining an old American fairy tale with Biblical themes.  The Headless Horseman is one of the four Horsemen of the Apocalypse and Ichabod and Abbie are the two witnesses mentioned in the Book of Revelations.  They could have eased us into all this.

Secondly, yes, Ichabod Crane is brilliant and educated, but come on, he’s adapted to the 21st Century a little too well.  They could have gotten a lot more play out of his fumbling with light switches and car door handles,  He’s confused about filling up the memory on his cell phone with video, but not with the concept of the phone itself?  But as well as he fits into the 21st Century, he’s still wearing the same 18th Century wardrobe.  Some Dockers and a polo might be a nice change of pace.

The elephant in the room, which is almost never mentioned, is race. The show as much as sleeps through race as Ichabod Crane slept through the centuries.  On TV, when you have such a diverse cast racial issues are either the star of the show or are totally ignored.  How many shows have had the one black friend, who hangs around with a bunch of white guys but has no black friends?  That’s not a really an example of the real world.  Of course, the world of Sleepy Hollow isn’t of course the real world, but the Headless Horseman seems more realistic than the casual way the show ignores race.

And it’s surprising too considering the diverse cast.  It’s probably one of the most diverse casts of a show when it didn’t need to be.  The show is set in upstate New York, and if the cast had wound up all white, no one would have batted an eye.  But the producers specifically went for a rainbow of colors in casting.  Why waste it?

When Ichabod and Abbie first meet, he asks her if she’s been emancipated.  Naturally she’s a bit incensed at this but humors him about being from the 18th Century and explains that slaves were freed.  Crane of course quickly explains that he’s always been an abolitionist with all of the quick earnestness of a white liberal meeting a black person and saying that they so respect Martin Luther King and think soul food is the best food ever.

And that’s it.  They’re partners and work together as equals in 21st Century fashion and race never comes up again.  The thing is, race would come up every day for Crane.  Skipping over the past two centuries leaves quite a gap in the racial history of the United States.  Crane should be constantly full of questions about racial manners and mores.

Well, it’s a wasted opportunity not to explore race, particularly when the set up of the show gives you the perfect opportunity.  Oh well, back to chasing monsters.