The Carmichael Show Cancelled

I was disappointed to hear that The Carmichael Show was being cancelled after the completion of its third season.   A Google search to try to find an explanation on the show’s cancellation pulled up articles called NBC Execs Open Up About ‘Carmichael Show’ Cancellation which… do not really answer the question as to why the show was cancelled.

“I think the collective decision was maybe [that] it’s best to let the show end,” NBC entertainment president Jennifer Salke told reporters. “I have to say personally for all of us, it’s a really hard decision that wasn’t just made on one side of things. It was one of those difficult decisions that kind of live with you for a while that you don’t feel great about because you wish it had done better. … This was the situation we found ourselves in.”  

OK yhat tells me nothing, although the very next paragraph does add a little bit of context.

The beloved series, which wraps its run later this month on the network, was one of NBC’s rare co-productions with an outside studio, 20th Century Television Fox. That, combined with the tepid ratings for the show, led to the cancellation.

Tepid rating I can understand, although I find it odd that it would happen to this show. If there is any show that qualifies as a worthy successor to Norman Lear’s All in the Family, it’s this one.  The show has tackled some pretty controversial topics, such as gun control, religion, infidelity, Bill Cosby,  gentrification, Muslims, depression, gender roles, gun violence, pornography, and of course Donald Trump.  Yet the show has received zero buzz.  Black-ish, a show I trashed pretty severely when it first came out is a critical and ratings success. The Carmichael Show is a critical success…and that’s it. So the lesson here is that I’m the last person you should come to when it comes to evaluating black TV shows.

As a comedian Jerrod Carmichael, is dark and depressing.  Watching his HBO Special “8” really demonstrates just how dark.  After watching that show, I wouldn’t have been surprised if I had heard that Carmichael had walked off set and hung himself in his dressing room.  That’s a viewpoint that isn’t exactly reflected in his sitcom, but then, I’ve no idea what happens during production.

The show’s season finale airs August 9th, but I would still recommend the show in whatever streaming platform it lands on.  It’s a sitcom with real issues and laughs, and it’s damn near impossible to find that combination.

 

 

 

Yet Another Alt-History Show, but PC Approved

On the heels of the pearl clutching involved with the proposed HBO series, Confederate, comes yet another alternate history take; this time meant to be the reverse image of Confederate, Amazon’s Black America.

It envisions an alternate history where newly freed African Americans have secured the Southern states of Louisiana, Mississippi and Alabama post-Reconstruction as reparations for slavery, and with that land, the freedom to shape their own destiny. The sovereign nation they formed, New Colonia, has had a tumultuous and sometimes violent relationship with its looming “Big Neighbor,” both ally and foe, the United States. The past 150 years have been witness to military incursions, assassinations, regime change, coups, etc. Today, after two decades of peace with the U.S. and unprecedented growth, an ascendant New Colonia joins the ranks of major industrialized nations on the world stage as America slides into rapid decline. 

My first thought is that this actually would be a show I would watch.  This isn’t Amazon’s first foray into Alternate History.  They are currently producing The Man in the High Castle, an alt-history in which the US lost World War II and the country is partitioned between the victorious Japanese and Germans.  Of course, that was a show that I actually thought I would want to watch too, but the execution just seemed boring.  Maybe it’s the source material.  I read Phillip K. Dick’s novel years ago, and of the many alternate history Germans-win-world-war-two books I’ve come across, it was a nine on the dull meter.

Still who knew I would live to see an age when there could possibly be three (counting Confederate) alternate history TV shows?  What an age we live in…

Unlike the backlash (or is it blacklash?) to Confederate, black twitter loves the idea of this show. So this tells me that now Amazon is committed to producing at least one episode for Amazon pilot season, or forever face the wrath of SJW social media. So since I’ll have at least one episode to view, I admit I’m wondering what they’ll do with it, but one thing I’m sure of, New Colonia won’t look like its real universe counterpart, Liberia.  Liberia was supposed to be a promised land for freed slaves, and instead, after a brutal civil war is just one more African semi failed state.

But as the description of the show indicates, New Colonia will be a major industrialized nation, leaving the pasty United States in the dust.  One hopes the producers will at least put some effort into putting together a timeline of the show to explain how that would happen, since currently Louisiana, Mississippi, and Alabama are not exactly industrial powerhouses.  Here’s an idea producers: After World War II, the New Colonia Armed Forces capture a lot of Nazi scientists and factories and ship them back home, forming the basis of the New Colonia space program.

Well now I’m getting excited about the show, and if it’s successful, how about a crossover special?  My pitch: In the same way that Netflix took several Marvel properties to lead up to a combined series (The Defenders), maybe Confederate and Black America can have a massive crossover event in which The CSA and New Colonia find a way to cross dimensions and discover each other and immediately go to war.  That certainly takes race war to a new, science fiction level.  And which side do you root for?

Hah!

‘Confederate’ TV Show: Commence the Triggering

This just in:

The end of “Game of Thrones” is on the horizon, but creators David Benioff and D.B. Weiss have already mapped out their next plan at HBO for when they officially depart Westeros.

HBO has given a series order to “Confederate,” a new drama that hails from Benioff and Weiss, Variety has learned. The show has no ties to “Game of Thrones” and is not one of the many potential prequels in development at the network.

“Confederate” chronicles the events leading to the Third American Civil War. The series takes place in an alternate timeline, where the southern states have successfully seceded from the Union, giving rise to a nation in which slavery remains legal and has evolved into a modern institution. The story follows a broad swath of characters on both sides of the Mason-Dixon Demilitarized Zone – freedom fighters, slave hunters, politicians, abolitionists, journalists, the executives of a slave-holding conglomerate and the families of people in their thrall.

Production on “Confederate” will begin after the final season of “Game of Thrones.”

One the one hand, as a big fan of alternate history literature, I would like to see a show that takes on the South winning the Civil War.  It’s an issue that’s been done many times in books.  Writer and historian Harry Turtledove has written an entire series of books, the “Southern Victory” series that goes from the end of a southern victory in the Civil War to the end of an alternate World War II. So it could be fascinating.

But on the other hand…

There has been an incredible backlash on social media.

Game of Thrones creators David Benioff and D.B. Weiss say they were prepared for the backlash that greeted Wednesday’s announcement of their next TV project, HBO’s alternate-timeline drama Confederate, which imagines slavery as a modern-day institution.

I don’t believe that for a second.  I think they were genuinely caught by surprise.  Because of course, no matter how good a Social Justice Warrior you are, there is always someone further to the left who will be more than happy to institute a pogrom.  After all, we live in the era of #Dunkirksowhite.

So I don’t think the same premium network that took a medieval fantasy like Game of Thrones and made it into a girl power story of breaking the dragonglass ceiling and thinks Lena Dunham nudity is empowering is going to push ahead with a show that their peers oppose as a concept.  Sure, if the Duck Dynasty guys came out in opposition to this show, that might turn things around, but I think the desire to stay on the left side of the twitterverse will strangle this show in the cradle.

And that’s a shame, because this show could have, as they say, started a conversation.  Not a good one maybe, but since plenty on the left want to kick the South out of the union right now, it might be interesting to see what the world would have looked like if they had gotten their wish.

 

 

With 12 Monkeys, Cable tries to Binge

When Netflix started to do original programming and released the entire season at once, I thought, “What an original idea!  But how are you going to keep up the excitement of a show if you release it one shot and you’re done?”  Although it does limit the time frame of “buzz” it turned out to be a successful business model.  People can move at their own pace, which could be anywhere from watching the show on the traditional once a week schedule to all at once, bleary eyes and lost weekend included.

But I was surprised when the Syfy Channel decided to do the same thing for returning show 12 Monkeys. Airing season three over three nights, the network is trying something different.

It’s an odd choice for a cable network.  They have airtime to fill, so why blow an expensive season of an original show over a weekend?  And before you say it, no; this is not like showing successive Twilight Zone episodes over New Years. That’s simply to fill airtime during a period when viewing will be exceptionally low.  But dropping an original show is a streaming service move, which Syfy definitely is not.  So what’s up?

Well after watching Friday night’s initial 4 episode blast, I have to say I agree with both the TV Guide and TV Line reviews: This show was meant to be watched in a binge format.  Having watched Season’s 1 & 2 in the traditional once a week format, you often forget where you left off.  After all, this show is complicated.  Each episode takes place in more than one time period, sometimes with the same characters at different points in their lives. Sometimes, death comes first, as for the character of Dr. Cassandra Railly (Amanda Schull), who’s skeleton was discovered in the very first episode way back in season one.  Sometimes it’s in the middle, like for former asylum patient Jennifer Goines (Emily Hampshire), who’s death was shown last season.  Not to worry though Jennifer fans, her younger self is featured pretty prominently this season.

And a good thing too.  The character steals every single scene she’s in, adding humor in otherwise grim situations without detracting from the grimness of the situations because…well she’s crazy.  So far my favorite episode of the season is episode 2, which is a Jennifer-centric episode.  Jennifer trapped in the past tries to figure out ways to catch the attention of the future so she can be rescued.  It’s entertaining and still moves the plot along.  So more Jennifer.

 

One character that I like, but has been degraded somewhat is Deacon (Todd Stashwick), the formerly ruthless leader of a violent gang in the future.  In earlier seasons, Deacon made a great foil as a villain more interested in looting the time travel facility than saving the human race. Unfortunately, the violent, evil, but witty bad guy has been tamed somewhat by his attraction to Dr. Railly. It’s not the first time on TV and movies an alpha male bad guy has been tamed by love, but it isn’t very realistic.  Hopefully Deacon gets his evil mojo back.

So maybe binge watching cable isn’t a bad idea after all.  Particularly if it encourages the production of more complicated dramas that may be digested better in very large bites, rather than doled out bit by bit on a weekly basis.

 

Almost Star Trek Beyond Caring

Warning: Very spoilery.

As a long time Star Trek Fan, each new Star Trek movie is reason enough to do something special, like take a day off from work so I can enjoy the movie during a normal workday, without the large crowds of evening or weekend showings.  And that is what I did for the latest outing from the Star Trek franchise, Star Trek Beyond.  Like the previous movie, Star Trek into Darkness, the title made no sense and had nothing to do with the actual film.  This is all part of the JJ Abrams school of secrecy that wants to keep as little information about the movie as possible from leaking out.  If 1982’s Star Trek II: The Wrath of Khan, had been done by JJ Abrams, it would have simply been titled Star Trek Wrath.  No spoilers on the villain!  Of course Abrams had a lighter touch for this iteration of the film franchise (Justin Lin directed).  He was only a producer, not a director for this one, which probably explains the paucity of lens flares.

star trek beyond

The rebooted Star Trek movies are action movies, so Justin Lin, of the Fast and Furious movies, makes an adequate director for that type of film.  This irritates a lot of old school Star Trek fans, who don’t see Gene Roddenberry’s philosophical vision in the rebooted Star Trek films.  However for me, that’s a feature, not a bug.  Roddenberry’s “vision” was of a communist utopia that even in the realm of science fiction, made no sense.  It was easier to make up the technobabble of transporters, holodecks, and faster than light travel then explain why they don’t need money and no one is drawing a paycheck, but still showing up for work every day.

There is another reason of course.  That kind of film just wouldn’t fly todayMark Wolper, son of the man who brought Roots to life on the small screen in the 1970’s sat his 16 year old son down to watch the original Roots with disappointing results. His son just didn’t get it, it didn’t speak to him, and the production style was just too different.  In other words, much of the movies and television shows that are considered classics now are basically unwatchable to millennials and younger.  I got a taste of this myself when a few months ago I had a hankering to pull up a particular episode from Star Trek, TOS on Netflix.  Although I enjoyed the episode and it was everything I remembered about it, it was also extremely slow moving, and slow paced compared to modern television and movies.  Since I seldom dip back into decades old TV, it was eye-opening for me.  If Star Trek is to survive, it has to be faster paced and more action packed than anything conceived of by Gene Roddenberry.

And that’s what the new movie gets right.  It’s a visually stunning picture with great special effects, fast moving, with great action sequences, and is finally starting to tap into some of the relationships that made Star Trek work in the first place.  Karl Urban’s Doctor McCoy is pitch perfect and the movie highlights some of the old Spock-Bones rivalry that played so well on TOS and the original movies.  Chris Pine seems more like Kirk and I would argue that the entire crew cast finally fits into their roles comfortably. If you knew nothing about Star Trek and were just looking for an outer space shoot-‘em-up while waiting for Rogue One to come out, this movie admirably fits the bill.

If you are a Star Trek fan it might be a different story.

In the tradition of JJ Abrams, it’s a great movie to watch, but as soon as you exit the theater and get hit with the harsh summer sunshine, you suddenly realize that the movie that you just watched and enjoyed made no sense.

starbase yorktown

The first thing that made no sense to me was Starbase Yorktown. It just seemed illogical (with apologies to Mr. Spock) to me that 3 years into a 5 year mission to explore unexplored space, the Federation has a starbase as large as the Death Star on the frontier of known space. Visually it’s stunning, it’s like a giant moon sized snow globe, but it also looks ridiculous; something that no one would build regardless of how much money and technology they had.  If you can build something like that, why bother with planets?

But the silliness of the design of a star base isn’t a large plot point.  Having a ridiculous villain is, and Idris Elba’s character Krall is a ridiculous villain.  The alien Krall looks like he put super glue all over his face and dived headfirst into a box of gravel, but the worst part is that Krall isn’t an alien at all; he’s really a human, from an early Federation starship.

I told you this was going to be spoilery.

So this early starship, the USS Franklin, crash lands on this planet with an abandoned alien mining facility, and yada yada yada, the Captain, Balthazar Edison is transformed into some sort of long lived, energy draining rock face who has a totally inexplicable reason for hating the Federation and decides to use the mining facility as a launching pad to prepare an attack against the Federation.  Again, his motivations are pretty unclear except for some vague Nietzsche-like desire to purge the Federation of weakness. Idris Elba is totally wasted in this role.  Any buff guy who can handle rock make up could have pulled it off.

The USS Franklin is it’s own level of ridiculousness, since even though Krall/Edison was the captain of that ship and crashed on that planet, he somehow managed to forget all about it so thoroughly that one of his escapees Jaylah used it as a refuge and was slowly working to repair it.  Jaylah, played by Sofia Boutella, actually was one of the more interesting characters and had such a good chemistry with Scotty that I wouldn’t mind if she joined the crew for the next movie.  However could she have done such a good job that Chekov could make the more than a century old ship space worthy in a few hours?  It just doesn’t make sense.

Although I had a lot of high hopes when I heard that Simon Pegg was writing the script, I came away underwhelmed.  Parts of the movie seemed like they were patched on from other movies.  Like in 2009’s Star Trek, this movie made heavy use of the Beastie Boys Sabotage. Now kudos for discovering how good Sabotage is for an action scene, and the battle scene with Sabotage playing is actually kind of cool, but we had already seen that used in a Star Trek movie.  They seriously couldn’t find another piece of music that would work?

Nor was I happy that they destroyed the Enterprise again. Somehow, that ship had managed to last the entire original series up till Star Trek III: The Search for Spock.  Now, barely into the 5 year mission and the ship is already toast.  Even some of the destruction scenes seemed like retreads.  Didn’t I see that same saucer section crash scene in Star Trek Generations?  The Enterprise’s destruction in previous movies was because they were simply out of ideas, but if they are already out of ideas on the third movie into a rebooted franchise, what’s the point?  Once you destroy the ship that is as much of a cast member as any of the actors, you lose the ability to keep the crew together in any way that makes sense. If you think this might be your last movie, than go for it, but since there is already a commitment for a fourth movie, why make script writing more difficult for yourself for the next movie?

The movie ends with a montage of the new Enterprise being assembled.  After building a moon sized Star Base, I imagine a starship is child’s play.  My only surprise was that they didn’t play Eye of the Tiger during the rapid fire scenes of the new Enterprise’s assembly, interspersed with shots of Kirk and the crew working out in the snow. Given the limited amount of imagination and originality allotted to this film, I won’t be on the edge of my seat awaiting Star Trek 4: The Revenge of Ivan Drago, or whatever “villain” they determine they need to make the movie work.

So it’s a credit to the people who bring us such movie magic that they actually put together an enjoyable film from such a weak script.  But however disappointed I am in a limited story, they have a chance to make it up to me in January with the new Star Trek TV show, Star Trek Discovery.

Don’t disappoint me, even though I’ll watch it anyway.

 

Winter TV Watching

My whole TV world changed a few weeks ago when my wife came home from work and announced that she was going to drop Cable and go to Direct TV.  I had always been suspicious of Direct TV since I assumed weather would be a factor in viewing far more than was the case with cable.  And I was never sure how much weather would make a difference.  However television service was one of those responsibilities I had delegated to my wife so I had little choice but to go along.

So far, it’s not a disappointment.  In fact, the advantages seem to outweigh the disadvantages by a considerable amount. With an 800 hour capacity DVR, I’m taking advantage of 3 months of free premium channels to pack it with a year’s worth or more of movies.  And the interface and system seem to be far more modern than what I had with cable.  Being able to be in my office and watch something recorded on the DVR is an advantage I didn’t know I needed until I got it.  What a convenience!

And the weather issue?  It is real.  So far on two separate occasion’s bad weather has resulted in a loss of signal, one while watching one show while recording two more.  All things being equal, being able to record 5 shows while watching one at the same time more than makes up for the infrequent weather issues.  At least I think the weather issues are infrequent.  The summer rainy season in Florida may be an issue.  Summer is coming…

With a high capacity DVR, I’m juggling more TV show plates than ever.  Here is a sample of some of the newer shows I’m watching now:
Shannara

MTV, yes, that MTV, has a new fantasy show called The Shannara Chronicles.  It’s based on series of fantasy books which I’ve never read, but it has all of the usual elves, trolls, and so forth, but the hook is that it takes place in a future post apocalyptic Earth, not some other world like Middle-Earth or GoT.  I’ve watched a couple of episodes and I like it. The show is filmed in New Zealand so the scenery is gorgeous. But what is really surprising is how good the digital and costume effects are.  I didn’t expect this kind of quality effort from MTV.  As for the show itself, it strikes me as Lord of the Rings meets the CW; hot elves flirting and dating while demons threaten the world.  Maybe they should have called it Shannara 90210.

Supergirl, yes Supergirl. I find the show enjoyable, despite its flaws.  On the other hand, maybe because of its flaws and let me tell you, this show has them!  Most of the problems of the show can be summed up in a Saturday Night Live parody trailer for a Black Widow movie:

Yes, it’s Supergirl, played as a romantic comedy.  There is the hot guy Supergirl desires, Jimmy (excuse me, James) Olsen, who is dating someone else, and there is the friendzoned work friend, who wallows in his self pity, but he is such a good friend that Supergirl would never want to change what they have.

So yes, you have seen this movie before.  However the show does have its own charms.  Calista Flockhart plays Supergirl’s media mogul boss Cat Grant with a hypercharged, manic gusto.  All words I would never have thought to use in relation to Calista Flockhart.  But the selfish, driven, work-is-all boss with the secret heart of gold probably gives the show its best moments.  Will a Superhero themed romcom attract the woman viewer?  No idea.

The Magicians is a new Syfy show that can best be described as Harry Potter goes to Graduate School, because that’s the setting of the show, a secret, magical grad school hidden away in upstate New York.
Magicians

The magic seems a little less ridiculous, although still magic, and it’s treated like alcohol or drugs; enjoyable but potentially addictive and very dangerous if misused (and it’s misused often apparently). The problems are more adult; or perhaps specifically young adult.  Finding your place in the world and of course relationships seems to drive a lot of the action.  There is even their own version of Voldemort; “The Beast.”  Apparently Brakebills University has a similar policy as Hogwarts; keep every threat and danger secret even when people start dying.  Nothing says school administrator like keeping everyone in the dark.  I give this show two and half wands.

Limitless is not only based on the movie of the same name, but it’s more or less a sequel to it. Bradley Cooper, who was the star of the film, has a recurring role as his movie character, now Senator Eddie Morra.  The new victim/recipient of the brain enhancing drug NZT is Brian Finch, a loser wanna be musician, who comes across NZT, likes it, and stumbles across both the FBI and Senator Morra.  Since the film, Morra has figured out a treatment to prevent the mental and physical decline from prolonged NZT use and offers it to Brian if he will be a mole for him inside the FBI.  The FBI wants Brian because they think his Morra supplied treatments are a natural immunity, so they hire him as a consultant, both to study him to see if they can reverse engineer his immunity to the deleterious effects of NZT and take advantage of his NZT enhanced IQ to solve cases.
Limitless

This show really works because Jake McDorman, who plays Brian, is exceedingly likable.  He plays Brian as basically a good guy who is forced to spy and betray his new FBI friends.  He’s also one of the few regular pot smokers on network TV.  His bong is a prominent accessory of his apartment.  You don’t usually see that in a crime drama.  The show’s breaking of the 4th wall makes this different from most shows on TV and fun to watch.  I ended up liking this show much more than I thought I would.  It’s fun.

If I were to cram every childish, pulpy thing I liked into one show, I couldn’t have done a better job than DC’s Legends of Tomorrow. It has superheroes, it has time travel, and it has a super villain.  I mean, that’s one delicious stew. And it’s all sitting in the same universe as Arrow and The Flash. It’s not surprising since many of the characters are side characters borrowed from those two shows.

The premise is, 150 years from now, an immortal super villain, Vandal Savage, conquers the world, so Rip Hunter, one of the “Time Masters” decides to go back in time to stop him from ever getting that far.  To do that, he goes back to 2016 to assemble a team of heroes and villains from the Arrow/Flash universe to travel in time with him to stop Savage before he gets to conquer the world.

Well, I did say it was childish and pulpy.  But it’s also fun too.

One of my more oddball shows that I’m trying out is You, Me, and the Apocalypse.  Now I love a good Apocalypse, and TV and movies have often tried to put a comic spin to the idea with movies as diverse as Night of the Comet,and  Zombieland to This is the End, and Seeking a Friend for the End of the World.  Not to mention TV’s Last Man on Earth. With 34 days to live before an asteroid renders Earth uninhabitable, a diverse group of people worldwide end up following paths that will somehow cross…I’m not sure how but the show is throwing out clues left or right.  With a great cast (Rob Lowe, Jenna Fischer, and Megan Mullally) and a tight, well written script, this show is growing on me. And Megan Mullally as Leanne, an escaped neo Nazi prisoner on the run with housewife and Librarian Rhonda (Jenna Fischer), provides some of the shows funniest moments.  The word for this show is intriguing. I’ve not seen anything quite like this on TV before and I like it.

Another new show I’m kicking the tires on is Second Chance. Just a guess, but I don’t think this show is going to be around too long.  The premise is that a grumpy and disagreeable retired Sheriff is murdered and brought back to life by a Google like company run by twins, one of whom is dying of cancer.  So after conventional treatments fail, just bring someone back from the dead and use their blood as an anti cancer treatment.  Pretty standard medical procedure right?  The entire bringing someone back from the dead angle sounds totally implausible.  And I mean by Science Fiction standards.  People come back from the dead all the time in science fiction and fantasy shows, but it’s either with “magic” or some sort of semi plausible technobabble that sort of, kind of, makes sense.  Not this time; it’s just technobabble. Maybe if I could like the characters more, I could get pass that.  But so far, only the tech genius twins seem likable.

There are those who might think I’ve bitten off more than I can chew in TV watching.  Maybe some critics might think I’ve let the hubris of an 800 hour DVR cloud my thinking on what’s practical to watch.  Only time, and a full DVR can say for sure.

 

 

Caitlin Jenner and Rachel Dolezal’s differing Delusions

“She[Bruce Jenner] is, in that sense, transitioning from a Jenner to a full-blown Kardashian”Mark Steyn

 

I wasn’t sure I was even going to write about Bruce Jenner “transitioning” to a woman.  I mean, sorry folks, but he’s not actually a woman.  A person’s sex is not a social construct; it’s a biological reality, unchanged by hash tags or E Television.   You can’t just change your sex with hormones, surgery, or a new twitter account. The fact that people are buying into his delusion is frightening.  In the old days, if a person thought they were Napoleon we threw them in a lunatic asylum.  Now I guess we would make him emperor of France.  We’re even allowing him to take his delusion to medical extremes.  Doctor’s are allowed to pump a man full of female hormones, regardless of the damage to his body, so he can pretend to be a woman, but won’t pump male hormones into a male for the purpose of enhancing athletic performance.

I’m not mad at the guy, just the opposite.  I feel bad for the suffering he’s enduring with this psychological disorder.  Although we’ve made enormous advances in medicine, it seems in some ways when it comes to psychiatric and psychological disorders, we’re still in the dark ages, applying leeches. But the outing of Jenner’s disorder does explain a lot of things, such as his marriage to Kris Kardashian. If I’m mad at anything, it’s the media’s reaction.  Their praise for his “courage,” and the use of female pronouns when referring to Jenner seems to justify his delusion.  Apparently style books in newsrooms have totally gone crazy.  But…. given that there isn’t much in the way of real treatment for disorders like Jenner’s, if prancing around in a dress make him feel better, than he should do it. But after reading that Jenner’s son Brody has a girlfriend named Kaitlynn, I recommend Bruce continue with a lot of therapy.  It sounds like he needs it.

Jenner-Dolezal

But when is a delusion a fraud?  Or….did the fraud come first, and then the delusion?  I’m referring to Rachel Dolezal, leader of the Spokane NAACP and self proclaimed African American. In a way, I’m surprised we don’t have more Rachels.  A white liberal, from a white liberal family; so identifies with victimhood and victimization that she wants to be that victim.  Despising her white privileged skin, she adopts a different personal, pulls a Soul Man and gets a scholarship to attend Howard University and basically lived with it for years; successfully too.  Faking being Black, getting a scholarship meant for a Black person…if that doesn’t define White Privilege; I don’t know what does.

She became the leader of the NAACP in Spokane, Washington.  Whether the NAACP knew she was white or that’s a chapter filled with the biggest collection of dummies ever.  In any case, they’re supporting her.   How long they will I don’t know.  I don’t see how this ends other than her losing her teaching gig of “Africana Studies” at Eastern Washington University and resigning from her leadership position in the NAACP.

At some point in the future, after all of this is over, an interview with Dolezal about why she wanted to leave her position of “privilege” as a White woman to pick up the mantel of oppression as a Black woman might really be revealing.  However it’s unlikely that she’ll ever give an honest interview.  Why start now?

So Jenner wants to be a chick, Dolezal wants to be Black…hey if there are any Black women who would like to be White men, apparently the door is wide open.